![]() ![]() We already check our GPU, GPU drivers, color managed settings, project settings, etc. I already know that, and I can not but tell you that if I could work on the native files, I would ! But I don't have choice. Please don't explain me that I should not transcode. We're running on Window 10, Avid Media Composer 2022.12 and DVR 18.5.1. When I check metadata via Media infos app, I can see that the transcoded files as a change in the "color range" part.ĭoes anyone has all ready face this issue ? Does anyone knows about this "color range" things in the metadata ? It's not related to the LUT (Arri LogC 4), as it's also noticeable in log mode. ![]() But it is corroborated by the scopes : there is a gamut "shrink" and "swing". You can barely notice it without direct comparison. I can notice a slight swift, making the image slightly less red. I do not have level issue, or either luminance issue. When I look at my transcoded files in DaVinci Resolve 18.5.1, I notice a slight color shift between the natives vs transcoded files. I'm linking my clips via UME Link, and transcoding my sequence (sequence/transcode) in a Rec 709 project, without color transform (I remove the LUT). mxf files into DNxHD HQX in Avid Media Composer. ![]() I'm having truble while transcoding Arri 35 Prores HQ 422. ![]()
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